Jessica is a BAFTA nominated composer and joint Studio Head at The Chinese Room.
She wrote the Dear Esther score which won several prestigious awards for music and audio.
Her award winning Amnesia: A Machine for Pigs score received a hugely positive reaction from fans and critics alike.
Jessica was a jury panel member for the 2014 BAFTAs and recognition for her work on environmental storytelling, audio and music has come from diverse sources including SXSW, Radio 3, Classic FM and international exhibitions at ZKM and MOMI New York. The Chinese Room featured on Develop 100's lists of both Ones to Watch, UK and European Start Ups. In 2015 Jessica was delighted to be named in MCV's 100 Women in Games feature.
Jessica is now working on The Chinese Room's forthcoming PS4 title Everybody's Gone to the Rapture - the game pre-release has already won Gamespot's Best of E3 and was nominated for Best in Show and Best PS4 game by IGN.
Other organisations that Jessica has worked with include The Royal Opera House, Welsh National Opera, Arts Council England, PRSF, Prix Ars Electronica and The Royal Society of Arts.
Jessica also works as a freelance composer and is available for hire on games, film, televsion and other projects. To discuss rates and availability, please use the contact form to get in touch.
AMNESIA: A MACHINE FOR PIGS
RT @ChineseRoom: To celebrate our best soundtrack award nominations, we're giving away 3 copies of the Rapture OST on PS4! Follow & RT before 8/2 at 2PM GMT!
It's tiring being a woman,always feeling like you have to make a point. I'd love to have a big penis & just accept all awards with impunity!
My other man-hero is @keefstuart who put his money where his mouth is with his stance on the Game Awards when so many didn't. All the love.
My wonderful husband has just sent me his monthly GamesTM article. It's about sexism in the industry and it is hilarious AND coruscating <3